Stories tagged Robyn Smith

Two Center for Cartoon Studies Graduates Nominated for Eisner Awards

We are honored and excited to announce that two of our The Center for Cartoon Studies (CCS) grads and current faculty, Robyn Smith ’17 and Tillie Walden ’16, have been nominated for the prestigious Eisner Award! Both are in the running for “The Best Publication for Teens  (ages 13-17).”

Robyn Smith ’17 for WASH DAY DIARIES (Chronicle Books) with writer Jamila Rowser. Robyn is a 2017 graduate of CCS, was a fellow from 2021-22, and is a member of our faculty. 

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The Center for Cartoon Studies Has Big Showing in LA Times Book Prize Finalists

Three Cartoon Studies fellows have been nominated for the prestigious Los Angeles Times Book Prize for Best Graphic Novel/Comic of the year! They include:

Robyn Smith ’17 for WASH DAY DIARIES (Robyn Smith/Jamila Rowser). Robyn got her MFA at CCS, was a fellow from 2021-22, and is a member of our faculty.

Tommi Parrish for MEN I TRUST. Tommi was a CCS fellow from 2020-21.

Noah Van Sciver for JOSEPH SMITH AND THE MORMONS. Noah was a CCS fellow from 2015-16.

Shoutout to Jamila Rowser, who wrote WASH DAY DIARIES, she was recently a CCS visiting artist.

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Robyn Smith ’17 Emerging Talent Award from CXC

Robyn Smith ’17 won the Emerging Talent Award at the recent CXC (Cartoon Crossroads Columbus)! The award comes with a no-strings-attached check for $7,500, to support an amazing cartoonist just starting to make their mark on the comics scene.

Robyn is an alumni and fellow at The Center for Cartoon Studies (CCS). She is a Jamaican cartoonist best known for her mental health / Blackness memoir The Saddest Angriest Black Girl In Town; Wash Day, written by Jamila Rowser; and illustrating DC Comics’s Nubia: Real One graphic novel, written by L.L. McKinney. You can preorder her next book, Wash Day Diaries, coming in May 2022 with Chronicle Books.

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Nubia nominated for Harvey Award

Nubia: Real One, written by young adult (YA) author L. L. McKinney with art by Robyn Smith ’17, has been nominated for Best Children or Young Adult Book in the 2021 Harvey Awards. Though Nubia is as fast and powerful as her famous twin sister, Wonder Woman, the world has no problem telling her that she’s no comparison. But when Nubia’s best friend, Quisha, is threatened by a boy who thinks he owns the town, Nubia will risk it all––her safety, her home, and her crush on that cute kid in English class––to become the hero society tells her she isn’t.

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Turner Family Stories with Robyn Smith ’17 and Lillie Harris ’21

Turner Family Stories cover art by Robyn Smith ’17

Coming out this summer, the Vermont Folklife Center is publishing Turner Family Stories. The book is a collection of comics drawn from the epic story of the Turner Family as shared by Daisy Turner. The work includes a beautiful cover by Robyn Smith ’17 and a tale from Daisy’s own life drawn by Lillie Harris ’21. Daisy Turner was born in 1883 in Grafton, Vermont, the daughter of formerly enslaved Alec and Sally Turner. In 1983, VFC founder Jane Beck met then 100-year-old Daisy and recorded approximately 60 hours of interviews about her family. These interviews are now being used to create these comics.

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Nubia: Real One artist Robyn Smith ’17

An essential superhero story for this moment.” –Kirkus Starred Review

Robyn Smith ’17 is the artist for a new DC project Nubia: Real One. Nubia is as strong and fast as her twin sister Wonder Woman. Though Nubia first appeared in 1973, she has appeared in only a handful of issues. This new story, written by young adult (YA) author L. L. McKinney, is set while Nubia is in high school. Though she has powers similar to her famous sister, the world has no problem telling her that she’s no Wonder Woman. But when Nubia’s best friend, Quisha, is threatened by a boy who thinks he owns the town, Nubia will risk it all––her safety, her home, and her crush on that cute kid in English class––to become the hero society tells her she isn’t.

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Robyn Smith ′17 to talk about the intersections of Blackness and mental health

The Saddest, Angriest Black Girl in Town by Robyn Smith

Saturday, October 5
Fleming Museum of Art

Robyn Smith ′17 will be talking at the Fleming Museum of Art, the University of Vermont, on October 5 at noon with cartoonist Whit Taylor. Robyn wrote The Saddest, Angriest Black Girl in Town to explore the intersections of Blackness and mental health. She and Whit Taylor—author of Ghost Stories (Rosarium Publishing, 2018), The Anthropologists, and many other comics—will discuss mentorship and networks among female cartoonists of color.

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CCS schedule and exhibitors at Small Press Expo 2019

Here is a line up for CCS at SPX 2019!:

The Small Press Expo (SPX) is coming up on September 14 -15, and there are plenty of ways to see The Center for Cartoon Studies (CCS) grads while you are there! CCS will be present at table W28 with copies of This Is What Democracy Looks Like.

As part of the tour for This Is What Democracy Looks Like, Dan Nott ′18 (Table A7) will be on the Graphic Advocacy panel with Archie Bongiovanni (A Quick & Easy Guide To They/Them Pronouns), Box Brown (Cannabis), and Matt Bors (The Nib). Hallie Jay Pope will be the moderator. The group will discuss using comics as a powerful tool in sharing a particular mission and point of view.

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Wash Day by Jamila Rowser & Robyn Smith ′17 wins DINK award

A Denver Independent Comics and Art Expo (DiNK) Dinky Awarded to Wash Day!

by Jamila Rowser  and CCS graduate Robyn Smith ′17.  Edited by  J. A. Micheline.

Wash Day is a slice-of-life comic that pays tribute to the beauty and endurance of Black women and their hair. The story follows Kimana, a 26-year-old woman living in the Bronx, as she cares for her long, thick hair. As Kim goes through her Sunday morning rituals, we see the highs and lows of her day—fresh coffee, rising rent, girl talk and catcalls. Click here to see more of Robyn’s work and to buy a copy of Wash Day.

DiNK’s annual DiNKy Awards commit to recognize excellence, promote independent comics from a diversified group, and create a level playing field in which work is judged for its merits, not the strength of its marketing campaign.

 

 

 

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