Stories tagged Keren Katz

CCS graduates to exhibit and present at MICE expo in Cambridge

MICE, the Massachusetts Independent Comics Expo, is coming up on October 19 and 20 in Cambridge, MA. A perennial favorite, MICE is showcase space for artists and writers in the greater-Boston area working in the field of comics. The show is free and open to the public of all ages. And you can find lots of CCS grads and instructors tabling and in various workshops throughout the weekend.

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Tags: Allie Kleber, Amelia Onorato, Anna Sellheim, Anna Strong and the Revolutionary War Culper Spy Ring, As the Crow Flies, Astal Forest, Beth Barnett, Can Mazur, Cara Bean, Catalina Rufin, Cathy G. Johnson, Charlotte Bronte before Jane Eyre, Convention, Dave Ortega, Dias de Consuelo, Everything's Fine, Four Years Collected, Glynnis Fawkes, Graveyard Shakes, How To Read Nancy, Jess Johnson, Joel Christian Gill, Jon Chad, Kate Castelli, Keren Katz, Kevin Czap, Ladybroad Ledger, Laura Terry, Mark Newgarden, Melanie Gillman, MICE, Michael Gianfrancesco, Nick Thorkelson, Paul Karasik, Queer Thrills, Reilly Hadden, Science Comics, Shirley, Solar System, Stephanie Zuppo, Strange Fruit, The Academic Hour, The Breakaways, The Eternal Rocks, The Jernegan Solution, The Odds Are Good

CCS schedule and exhibitors at Small Press Expo 2019

Here is a line up for CCS at SPX 2019!:

The Small Press Expo (SPX) is coming up on September 14 -15, and there are plenty of ways to see The Center for Cartoon Studies (CCS) grads while you are there! CCS will be present at table W28 with copies of This Is What Democracy Looks Like.

As part of the tour for This Is What Democracy Looks Like, Dan Nott ′18 (Table A7) will be on the Graphic Advocacy panel with Archie Bongiovanni (A Quick & Easy Guide To They/Them Pronouns), Box Brown (Cannabis), and Matt Bors (The Nib). Hallie Jay Pope will be the moderator. The group will discuss using comics as a powerful tool in sharing a particular mission and point of view.

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Tags: A Quick and Easy Guide To They/Them Pronouns, Adventures in Cartooning, Alexis Frederick-Frost, Amelia, Andi Santagata, Archie Bongiovanni, Bedside Press, Beth Hetland, Box Brown, Cannabis, Carol Tyler, Chimps in Space, Conundrum Press, Czap Books, Dakota McFadzean, Dan Nott, Denis St. John, Donna Almendrala, Drawn and Quarterly, Fantagraphics, First Second, Fütchi Perf, Half Asleep, Hallie Jay Pope, Jed the Undead, Jess Johnson, Kazimir Lee, Keren Katz, Kevin Czap, Kid Gloves, Late Bloomer, Laughter Birth, Laura Weinstein, Lucy Knisley, Marnie Galloway, Mary Shyne, Masterpiece Comics, Meghan Tubitt, Miles and Honesty in SCFSX, Mother's Walk, Mott Bots, Other Stories and the Horse You Rode In On, R. Sikoryak, Rachel Masilamani, Robyn Chapman, Robyn Smith, Slightly Plural, Soldier's Heart, SPX, The Nib, This Is What Democracy Looks Like, Tiny Report, Uncivilized Books, Wash Day, We Conceive

Visiting Artist: Keren Katz

Keren Katz (CCS 2018-19 Fellow) is a Tel Aviv–based comics artist, illustrator, and the non fictitious half of The Katz Sisters Duo. She graduated from Bezalel Academy in Jerusalem. She has contributed stories to anthologies published by Fantagraphics, Retrofit/Big Planet Comics, Locust Moon Comics, Smoke Signal, The Brooklyn Rail, Ink Brick, Rough House Comics and more, as well as self-published and collected comic books all year round.

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Tags: Bezalel Academy, Big Planet Comics, cartoonist studio prize, cartoonstudies, Fantagraphics, Humdrum Comics Collective, Ink Brick, Keren Katz, Locust Moon Comics, Pathos Mathos Company, Retrofit, Rough House Comics, Secret Acres, Smoke Signal, The Academic Hour, The Brooklyn Rail, The Katz Sisters Duo

Cartoonist Studio Prize Winners: The Academic Hour by Keren Katz and Leaving Richard’s Valley by Michael DeForge

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Tags: Cartoon Studies, cartoonist studio prize, Graphic Novel, Keren Katz, Leaving Richard's Valley, Michael DeForge, Secret Acres, Slate Prize, The Academic Hour, Web Comic, winner

Announcing the Winners of the Sixth Cartoonist Studio Prize

The best print and web comic of 2017, selected by the Slate Book Review and The Center for Cartoon Studies.

Best Print Comic: Keren Katz for The Academic Hour

Best Web Comic: Michael DeForge for Leaving Richard’s Valley

The winner for Best Print Comic is Keren Katz for The Academic Hour (Secret Acres), which follows the disquieting goings-on in an impossible school. Like dispatches from another dimension, Katz’s drawings distend the ordinary geometry of the comics page, much as desire contorts the imagination.

The rest of this year’s print shortlist:

The Best We Could Do by Thi Bui. Abrams ComicArts.
Boundless by Jillian Tamaki. Drawn and Quarterly.
“Breath, Plucked from Heaven” by Shivana Sookdeo in Elements: Fire. Beyond Press.
“Gaylord Phoenix No. 7” by Edie Fake. Perfectly Acceptable.
Language Barrier by Hannah K. Lee. Koyama Press.
My Favorite Thing Is Monsters by Emil Ferris. Fantagraphics.
One More Year by Simon Hanselmann. Fantagraphics.
Tenements, Towers & Trash by Julia Wertz. Black Dog & Leventhal.
You & a Bike & a Road by Eleanor Davis. Koyama Press.

The winner for Best Web Comic is Michael DeForge for Leaving Richard’s Valley, which appears daily on Instagram. The strip follows a peculiar cast of characters, many of them animals, as they work through their relationships with the charismatic and tyrannical Richard. DeForge’s series is frequently funny, sometimes harrowing, and always deeply strange.

The rest of this year’s web shortlist:

“A Fire Story” by Brian Fies
Agents of the Realm by Mildred Louis
“A GoFundMe Campaign Is Not Health Insurance” by Ted Closson
Neighbors by Christina Tran
“The Price of Acceptance” by Sarah Winifred Searle
Reported Missing by Eleri Harris
“Somebody Told Me” by Jesse England
“Whose Free Speech?” by Ben Passmore
Wonderlust by Diana Nock

Congratulations to both of this year’s winners and all of our nominees.

Tags: Keren Katz, Michael DeForge, Slate Cartoonist Studio Prize

Slate and the Center for Cartoon Studies seventh annual Cartoonist Studio Prize

Slate and The Center for Cartoon Studies will once again name the best print and web comic of the year.

Each year the Cartoonist Studio Prize will be awarded to work that exemplifies excellence in cartooning. The creators of two exceptional comics will be awarded $1000 each. Winners will be selected by Slate’s Dan Kois, the faculty and students of The Center for Cartoon Studies (CCS) represented by current fellow Keren Katz, and this year’s guest judge, Gil Roth creator of The Virtual Memories Show podcast.

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Tags: Award, cartoonist studio prize, Comic, Dan Kois, Gil Roth, Graphic Novel, Keren Katz, Print Comic of the Year, Slate, studio prize, Web Comic, Web Comic of the Year

A 32-page comic on how our government works

This Is What Democracy Looks Like comic cover

Using the power of comics to teach teens about the way our government works This Is What Democracy Looks Like, A Graphic Guide To Governance is a 32-page comic book created by The Center for Cartoon Studies (CCS). This short comic guide helps to bring democracy back to the hands of the people by explaining what democracy actually means and how the whole thing works. This guide will be a great jumping-off point to learn about our government.

The Center for Cartoon Studies

Stories tagged Keren Katz

CCS graduates to exhibit and present at MICE expo in Cambridge

CCS schedule and exhibitors at Small Press Expo 2019

Visiting Artist: Keren Katz

Cartoonist Studio Prize Winners: The Academic Hour by Keren Katz and Leaving Richard’s Valley by Michael DeForge

Announcing the Winners of the Sixth Cartoonist Studio Prize

The best print and web comic of 2017, selected by the Slate Book Review and The Center for Cartoon Studies.

Best Print Comic: Keren Katz for The Academic Hour

Best Web Comic: Michael DeForge for Leaving Richard’s Valley

Slate and the Center for Cartoon Studies seventh annual Cartoonist Studio Prize

MFA and Certificate Program

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FREE! ONE-WEEK CARTOONING WORKOUT

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THE ED KOREN SCHOLARSHIP FUND

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CARTOONING IN AN ANXIOUS AGE

Let's Talk About It: A Graphic Guide to Mental Health

A 32-page comic on how our government works

The Applied Cartooning Manifesto